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HOLBEIN, Hans the Younger Portrait of the Artist's Wife oil painting reproduction


Portrait of the Artist's Wife
c. 1517 Tempera on wood, 45 x 34 cm Mauritshuis, The Hague
HOLBEIN, Hans the Younger4.jpgPainting ID::  7519
 

 

 
   
      

All Andrea del Sarto Oil Paintings


 
 
Andrea del Sarto Portrait of the Artist's Wife oil painting reproduction


Portrait of the Artist's Wife
1513-14 Oil on panel, 73 x 56 cm
new4/Andrea del Sarto-927227.jpgPainting ID::  32232
 

 

 
   
      

All Thomas Cooper Gotch Oil Paintings


 
 
Thomas Cooper Gotch Portrait of the artist's wife oil painting reproduction


Portrait of the artist's wife
Oil on canvas. 25 11/16 in. x 20 1/2 in. (65.28 cm x 52.07 cm). Memorial Art Gallery, Rochester, New York. Date Painted approximately 1897 cyf
new25/Thomas Cooper Gotch-764585.jpgPainting ID::  87035
 

 

 
   
      

Thomas Cooper Gotch
  
1854-1931 English Thomas Cooper Gotch Gallery In Newlyn he worked first at painting local scenes in the then-fashionable realist manner. But even these often had a romantic edge, such as The Wizard or an obvious love of surface colour. In 1891 a visit to Florence, Italy, opened his eyes to the work of the romantic European symbolists. He took the brave step of changing his style, to make romantic decorative paintings, when the prevailing fashion was against him. His first work in this new style was My Crown and Sceptre (1892), which was the progenitor to his most well-known work The Child Enthroned (1894). The latter, on original exhibition, was hailed by The Times newspaper as the star of that year's Royal Academy show. Until that time, his new style of work had drawn much critical scorn. He painted religious Christian scenes, history painting, portraits, and a few landscapes. His best-known paintings, which form the bulk of his work, usually portray girl-children in ornate classical or medievalist dress. The appearance of the girls in his paintings is often noted as being very modern. Gotch was a close and lifelong friend of Henry Scott Tuke, whose work featured a parallel focus on the boy-child. Gotch's lifelong adoration of the beautiful girl-child was shared by other Victorian giants such as John Ruskin and Lewis Carroll. His emotionally-charged work was immensely popular and critically acclaimed for most of his life, although interest in neo-romanticism waned after the First World War and he turned to watercolours of flowers. He also illustrated books, such as Round About Wiltshire, The Land of Pardons (an early study of Breton folklore & Celtic Christianity), and contributed illustrations to school readers such as Highroads of Literature. A retrospective show was held in Newcastle in 1910, and a memorial exhibition in Kettering in 1931.
Portrait of the artist's wife
Oil on canvas. 25 11/16 in. x 20 1/2 in. (65.28 cm x 52.07 cm). Memorial Art Gallery, Rochester, New York. Date Painted approximately 1897 cyf

Related Paintings to Thomas Cooper Gotch :.
| PIERRE-AUGUSTE RENOIR-NU COUCHE, VU DE DOS, SUR FOND OCRE | Wouwerman, Jan -- Het bonte paard, 1655-1666 | PIERRE-AUGUSTE RENOIR-ANEMONES | Peter Paul Rubens620 | Weissenbruch, Johan Hendrik -- Stalinterieur, 1895 | | Seascape with Ships | The Baptism of Christ (mk08) | The Discovery of the Murder of Holophernes bfg | Portrat der Isabella Brant | Philosophy |


        

 

 

 

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